Fear of Failure
Even though I have been working as a professional photographer since my first job as an intern at age 19, at the “Manchester Evening Herald”, I still get nervous before big photo assignments. I looked it up on Google, and it is called “photographer’s anxiety”. I don’t remember most of the jobs that went perfectly, but the photo assignments that I had problems with, I will always remember. 

“Whenever you go out into the world with a camera, you are going to make a mistake.”
~Joe McNally 

I can’t explain the irrational fear that gives me butterflies in my stomach. Actors call it stage fright. Perhaps it is because there are so many ways that a photo assignment can go bad. Clients hire me for my expertise, experience and the way I see the world. I never want to let them down. Most of the time my anxiety evaporates once I begin clicking away. It is much easier now that I can see the image on the back of the camera. Before I started using a digital camera in 2000, there were even more ways to mess up; like the lab destroying my film, using the wrong flash sync, and thinking my camera was loaded with film, when it was empty. I have done all of these things. Unfortunately, back then, most of the time you didn’t find out until a day or two later that “your pictures didn’t come out”.

Big group photos and awards events, where I am on stage, give me the most anxiety. One way I cope is by being prepared with back-up plans and back-up equipment. When I am on stage at a corporate event, I better get the photo quickly because no one will wait around. I always have another camera over my shoulder just in case my camera breaks down.

In my camera bag I have two cameras, spare batteries and camera cards. I also have safety pins, ever since the time I ripped the seat of my pants covering an outdoor event at a womens' college. I squatted down to get a low angle and rip! That was embarrassing.

Equipment failure happens on a rare occasion, like the time a shutter failed on me during a corporate event in Greenwich, while the company President in his tuxedo was posing with his wife in her formal gown. As luck would have it, my assistant was standing next to me with a camera loaded with film, ready to go. Being prepared for failure does help. Then there was the time I had a light leak in my film back that I had used for a big corporate group shot. The company had to send out a letter to their employees stating that “due to technical difficulty”  no photo would be sent. I found it so unnerving that I used two cameras on every group photo assignment after that, until I started using a digital camera. That too was a mistake. I relied on the automatic focus on my digital camera for a recent big corporate group shot, and only one frame out of eight was in focus. Now I check the image on the back of my screen at maximum magnification, before I tell the group “we are done”.

 My biggest concern is not equipment failure; it is what I call operator error. For example, there was the time that I started setting up lights for a portrait at a doctor’s office and discovered I had forgotten my strobe packs. Of course, the marketing director from the client happened to be supervising the shoot. Luckily, I was only a few miles from my studio and quickly drove back to get them. When I returned to finish setting up, the client fearing that I was not coming back, was getting ready to take the portraits herself, with her I-PhoneSince then, I keep lots of extra lighting gear with me. I can't count the number of times I have pulled my car over on the way to an assignment to check my trunk, or to look in the back seat, to make sure that I have all the equipment I need.

While I was sheltering in place, I watched a recent Nikon sponsored video interview of a famous New York commercial photographer, whom I greatly admire: Joe McNally https://portfolio.joemcnally.com/index I got some comfort in hearing from him, that I am not alone in my anxiety. “Whenever you go out into the world with a camera, you are going to make a mistake” he said, “fear of failure is always is with you”.  I have learned how to be a better professional photographer from my mistakes. I really dread messing up, but the only thing I am sure of is that I will make more mistakes and continue to learn from them. 

Timothy Becker
Creative Images Photography
901 Main St.
Manchester, CT 06040


  1. There is risk in everything worth doing; especially when there are defined expectations. Given your breath of your training and experience I'd guess your work is pretty darn good. Moreover, I admire your ability to relate to people that is especially important in local work and local politics.

    Thanks for sharing, Joel.
  2. Good article Tim. We learn from our mistakes and vow never to repeat them. I started taking pictures at age 6 or 7 in the mid 40s with my little Brownie box camera Later I graduated to a cheap black plastic camera which I was happy with. It was always my job to take the pictures at family gatherings. When I went in the Air Force in '59, I had a camera when I got to Lowry AFB CO. In '62 during the nuclear tests I stayed at Rarotonga Island for 4 days. It was a paradise on Earth so I borrowed an Englishman's camera and took a roll of 35mm slides, the following year I was in New Guinea and had a camera and took a couple rolls of slides. Ektachrome I believe. My website: http://gerrys.6thweathermobile.org/photo.htm has a lot of pics that I took, all slides. Then I got a good camera 35mm and took thousands of pics to be printed. Then came the Casio digital camera, the QV-100. Then download the pics on my computer. The best camera I bought and have now is the Canon SX 530HS which I have now. Never went to a high end, expensive camera. Too late now. Still love taking pictures, especially in Utah.

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